Now they have the SYN50/50 amp.MyQ® Dock Management Online Loading Dock Analytics Steven Fryette actually replied and said they originally used the PS2 as the reference amp to develop Synergy modules due to its neutral nature. The head is really close in neutrality to the PS2, but the PS2 is truely neutral.įun fact, I emailed Fryette support about using the PS2 with Synergy modular preamp. The SV100 100w head is WAY more neutral than to SV112 50W combo. Something interesting about the Line 6 SV amps. Just broke out Helix for the first time in a while and did all the updates. Now working from home and have setup the home studio again. Hi! Yeah, been travelling around for work the past few years until COVID this year Honestly didnt even really play guitar/bass much. I am now making that exact comparison between the two power amps for my helix, so I would be very interested on hearing your comparison between the Fryette PS-2 and the SV power amp. Now I see that you have switched to the Fryette PS-2. Hi, I have been reading your posts from 2016 when you were using a SV head to power your Helix into the Mesa 212 cab. I suspect it's due to the speakers themselves, so each cab/speaker could be different for you, but these are my experiences. Also, I seem to use lower volume and lower gain settings through the cab. I do need a bit more high-end frequencies with the cab, and I can reduce the Hi cut to compensate on the Split Output path. I noticed that I was using a lot of EQ adjustments in the low-mids when I was using an FRFR (one reason for the EQ block on the IR-Split output path).įor the Cab, there seems to be inherent mids there and I don't need to add them. What is "good" through an FRFR can sound bland and flat through a cab. I rarely touch it at all, but sometimes going from a Les Paul to a Tele or Strat, i need a couple notches of stage volume to hear it better.Īs for the difference, I rebuilt my patches from scratch. this gives me just enough room to get a small increase in volume if needed but i can turn it down a good bit if asked. I typically set my Helix volume to about 2-3 O'Clock. this way, I can adjust my on-stage volume if needed without impact the soundguy's settings at all. This way my FOH output never changes, except for volume pedal adjustments or differences between snapshots or presets. I also set my globals so that ONLY the 1/4" output is affected by the Helix Volume. Works pretty well, and I don't have to mic my cab at all. I spend a LOT of time getting the PA path to sound as close to the real cab as possible with HI/Lo cuts in the IR and using the 10-Band EQ block to tweak the tone. In this short split path, I insert an IR (or stock cab) block and an EQ block. One goes straight out to the 1/4" outputs. At the end of the signal chain - in which I have ZERO cabs or Its, I insert a split path. One thing that I do is to use a split output in all my presets. The sound of a real guitar cab is still my preference and a vertical 2X12 seems to work best for me in smaller rooms (gets the sound up higher so I can hear better, while still being direct-to-the-stage-contact for better low end. The PS170 is great and seems to be transparent enough with the Bass/Mids/Treble set to noon, but it's nice to have the ability to adjust each for the room or when I change guitars between songs. I've occasionally gone back to trying a FRFR or smaller cab + FRFR and it just doesn't sound as good to my ears. I've gigged with this set up for over a year now. I use a Seymour Duncan PS170 into a vertical 2X12 Two Rock cab (oval open back).
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